Materials of the issue:
Narrative structures and literary work
Willem G. Weststeijn: On The Poetics of Literary Analysis. Jan Van Der Eng’s Theory of Narrative Semantics.
Eric A. De Haard: Notes on Second-Person Narration: Tolstoj’s First Sevastopol’ Story
Giorgio Sale: L’esthétique de la nouvelle historique : le cas exemplaire de Dom Carlos.
Theoretical Applications to the Prague School of poetics
Květoslav Chvatík: Semiotics of the Literary Work of Art.
Kees Mercks: Introductory Observations on the Concept of ‘Semantic Gesture’.
The Visual and the Visionary: the new optics of narration
Mieke Bal: The ‘Gaps’ Video Project
Eugene Gorny’s photo-project: Meditations and Inventions - Hypnotical Varia. Visual Scapes and Narrative Boundaries.
Dennis Ioffe: Brief Intro to the Transcendental Way of (Photo)narration (Deciphering Eugene Gorny).
Elena Grigorieva: The Pinned-up Emptiness.
Dmirtry Borko: A Short Eulogy to a Friend.
Eugene Gorny: The Elements of Sadness.
The poetics of literary texts and the narratological argumentation
Igor Pilshchikov: The Structure of Audience and Circle Poetics in Pushkin and Baratynsky.
Konstantin Barsht, Arkady Chevtaev: ‘The Point of view-problem’ in the Artistic Text. Perspectives toward understanding the narratological concepts in Mikhail Bakhtin’s theory.
Narrative stratagems, the absurd fiction, popular culture and the problem of myth
Dimitri Tokarev: L’absurde et les stratégies narratives chez Samuel Beckett et Daniil Harms.
Natalia Zlydneva: Television commercials as mythology-narratives of daily life in modern Russia.
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