I. The ‘Event’ and The ‘Eventfulness’.

Wolf Schmid: Editorial note.

Wolf Schmid: Eventfulness as a Narratological Category.

Jan Christoph Meister: Events are us.

Peter Hühn: Eventfulness in Poetry and Prose Fiction.

Benjamin Biebuyck: Figurativeness figuring as a Condenser between Event and Action. (How Tropes Generate Additional Dimensions of Narrativity).

Gunter Martens: Narrative Notability and Discourse Events between Rhetoric and Narratology.

Eyal Segal: Narrativity and the Closure of Event Sequences.

II. Narrative Travels and Visual Stories

Mieke Bal: A Thousand and One Voices.

Cinema Suitcase: Mille et un jours (2003).

III. Archeological Narrative and the ‘Interartistic’ Disclosure.

Fee-Alexandra Haase: An Intertextual Reading of a Myth: Between Poetry, Myth, Cult Topography, and History. (Notes on Revisionism in Narrative Traditions of the Mythos of Aphrodite Kypris in Ancient Greek Fragments Attributed to Homer and the Cypria.)

Vassilena Kolarova: The Interartistic Concept in Kandinsky’s Paintings. The Image/Text problem.

IV. The Sign-Structures, Authors and Characters.

Willem G. Weststeijn: Towards a Cognitive Theory of Character.

Dennis Ioffe: Sign-Systems, Symbolist Narration, and the Notion of the Transgressive ‘plastic gesture’. (‘Homo Somatikos’ in Russian Modernist Life-Creation).