|
John Pier: Foreword (sections I-V)
I. Toward a reconfiguration of narrative concepts
Beatriz Penas-Ibáñez:
Emergent Narratological Explanatory Frames: From (Non)Naturalness to (Non)Standardness (the Case of Haiku-like Narratives)
Bohumil Fořt:
Literary Narratives as Constituents of Political Worlds: The Case of Milan Kundera
Ludmila Comuzzi:
Lyric Poetry as a Narrative Speech Genre: On the Dialogue Between Genre Theory and Cognitive Science
Joshua Parker:
Conceptions of Place, Space and Narrative: Past, Present and Future
II. Paratext, metalepsis, caesura
Virginia Pignagnoli:
Paratextual Interferences: Patterns and Reconfigurations for Literary Narrative in the Digital Age
Saartje Gobyn:
Textual Effects of Metalepsis
Michał Mrugalski:
The Spectacle of Interruption: Toward an Interruption Theory of Narrative according to Hölderlin’s Theory of Tragedy
III. Narrative and film
Inna Drach:
The Difference between Cinematic and Montage Novels and the Nature of Literary Montage
James V. Catano:
Narrative Voice/over in the Essay Film
IV. Narrative perspectives on music
Christian Hauer:
The Contribution of Musical Narratology to Contemporary Narratology. On Monika Fludernik’s Concept of "Experientiality”
Karl Katschthaler:
What is autobiographical authenticity in music? The question of the “secret vocal part” in Alban Berg’s Lyric Suite revisited from a narratological perspective
Knut Holtsträter:
“So pocht das Schicksal an die Pforte”. Some Remarks on Narrativity in Music
V. Translating narrative theory
Sylvie Patron:
Translating S.-Y. Kuroda: Past and Present
Iwamatsu Masahiro:
Problems in Trans(p)la(n)ting Literary Theory into Japanese
Bahar Dervișcemaloğlu:
The Problem of Translating Narratological Terminology into Turkish
VI. Narratological Miscellanea
Nathalie Weidenfeld:
Beyond the spectre of postclassical cinema: Understanding the dynamics of Narration in Film
Roy Benjamin:
On Not Reading for the Plot in ‘Finnegans Wake’
Thorn R. Kray:
Narrative, Emotion, and Cultural Meaning: Their Connection from the Perspective of Cultural Sociology, With Special Regards to Fiction
Tracey Taylor:
From the Many to the Few: Character and Social Ethics in the Foundling Museum
Elana Gomel:
The Darkness Within. Narrative Space and the Challenge of Utopia
Katharine Young:
Uneasy Objects. The Film Body in Mona Hatoum’s ‘Measures of Distance’
Review article
Igor Pilshchikov:
From Formalism to Structuralism and Beyond. (Metatheoretical Meditations)
|
